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2024년도 전람회

  • “By the pond” by Kato Toichi (1960) Owned by the Kato Eizo & Toichi Memorial Art Museum

    “By the pond” by Kato Toichi (1960)
    Owned by the Kato Eizo & Toichi Memorial Art Museum

    종료

    Special featured exhibition

    Changes in Nihonga and Kato Eizo & Toichi

    September 21 (Sat) – November 17 (Sun), 2024

    In the early Showa period, Nihonga (Japanese-style painting) was exploring its direction while keeping Western art genre painting expressions in mind. Artists who wanted to break away from the Japanese “closed-off” environment of the existing group exhibitions eagerly formed small groups and associations, and the waves of reform continued into the 1940s.
    Nihonga, which had been accepted by the public as part of the Shaseiha (realistic painting), began to fall out of sync with the sensibilities of the times. A demand arose for a shift from the mere preservation of traditional painting, including materials and techniques, to more subjective forms of expression. At the same time, the development of new Nihonga materials made it possible to combine them with those used in Western-style painting, and as a result, Nihonga has reached today without a clear definition as a distinct genre.
    This exhibition showcases how Kato Eizo & Toichi confronted the changing times and evolved their painting styles within the shifting landscape of Nihonga from the late 1930s to the 1950s. It also highlights the transformation of Nihonga expression and the works of other contemporary Nihonga artists.

  • Mimeograph Printing Machine, Showa Era

    Mimeograph Printing Machine, Showa Era

    종료

    Special featured exhibition

    Gari-ban –Printing Revolution–

    August 3 (Sat) – September 16 (Mon & Holiday), 2024

    Gari-ban is a nickname which is derived from the sound made when using a metal stylus on a metal plate, described as “gari-gari” in Japanese. The official name is “mimeograph,” which is a hand-operated printing machine that allows easy copying. Before the widespread use of photocopiers, the Gari-ban was an indispensable tool for everyday office work. This exhibit introduces the charm of Gari-ban, which was used by people of all ages.

  • Yotsumarugata (Four-circle type) Hanging Clock (by Sugiyama & Co.made in Gifu) Meiji Period

    Yotsumarugata (Four-circle type) Hanging Clock (by Sugiyama & Co.made in Gifu) Meiji Period

    종료

    Special featured exhibition

    The clock is ringing, it’s calling!

    June 1 (Sat) – July 28 (Sun), 2024

    Tick-tock, tick-tock, bong-bong. As sung in the 1937 nursery rhyme “The Early Riser’s Clock,” spring-driven pendulum clocks were cherished by many people at the time. In conjunction with “Time Day” on June 10, we introduce various clocks from our collection, ranging from the Edo period to the Showa era, including these iconic “bong-bong” clocks.

  • Mirror with Four Beasts (Excavated from the Ryumonji Tumulus No.12) Owned by Gifu City Museum of History

    Mirror with Four Beasts (Excavated from the Ryumonji Tumulus No.12)
    Owned by Gifu City Museum of History

    종료

    Special featured exhibition

    Gifu’s Ancient Tombs

    April 6 (Sat) – May 26 (Sun), 2024

    There are currently about 80 tumuli clusters in Gifu City, and more than 300 tumuli have been confirmed in detailed site distribution surveys. This exhibition introduces the tumuli in Gifu City through artifacts unearthed from Yayoi Funkyubo (mound burials) and tumuli from the late Yayoi period to the Kofun period.
    Please also see the currently ongoing planned exhibition, “All We Know About Gifu’s Ancient Tombs,” in conjunction with this.